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Concerts with works by
Bedřich Smetana

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Bedřich Smetana was a Czech composer, renowned for developing a distinctly Czech musical style. Best known for his opera "The Bartered Bride" and the symphonic poem cycle "Má vlast," his work played a crucial role in the emergence of Czech national music during the 19th century.

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Upcoming Concerts

Concerts in season 2024/25 or later where works by Bedřich Smetana is performed

January 26, 2025
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Symphoniker Hamburg / Magdalena Kožená / Gergely Madaras

Sun, Jan 26, 2025, 11:00
Laeiszhalle, Großer Saal (Hamburg)
Symphoniker Hamburg, Magdalena Kožená (Mezzo-Soprano), Gergely Madaras (Conductor)
Gabriel Fauré and Claude Debussy were both influenced by the same musical movement. Fauré's orchestral suite from his incidental music to "Pelléas et Mélisande" is considered his finest orchestral work. Israeli conductor and composer Ohad Ben-Ari, based in Berlin, will premiere his song cycle "Paterson" with the Hamburg Symphony. The cycle is based on Ron Padgett's poetry from Jim Jarmusch's film. Olivier Messiaen's "Poèmes pour Mi" is a tribute to his wife Claire Delbos, written during her pregnancy. Smetana's "The Moldau" will be performed, reflecting the fact that the Vltava (Moldau) river contributes more water to the Elbe than the Elbe's own source.
March 1, 2025
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Jakub Hrůša, Jan Bartoš

Sat, Mar 1, 2025, 20:00
Konzerthalle Bamberg, Joseph-Keilberth-Saal (Bamberg)
Jakub Hrůša (Conductor), Jan Bartoš (Piano)
Fascinating expedition: Thanks to Jakub Hrůša, we and our audience regularly get to enjoy gems from the rich treasure trove of Bohemian music repertoire. He loves to bring the stories to the stage that the composers from there have set to music so ingeniously. Smetana in particular was a master of symphonic poems, and in this programme we play no fewer than three of them. They were all composed decades before his famous cycle »Má vlast« and are far too rarely heard in Germany. Based on literature by Shakespeare, Schiller and Adam Oehlenschläger, they revolve around different characters: »Richard III«, »Wallenstein’s Camp« and »Haakon Jarl«. They were inspired around 1860 by an encounter with Franz Liszt – who once praised Smetana with the words: »Here you have the composer with the true Bohemian heart, the artist gifted by God.« To set the mood for these dazzling tone poems, we also present two richly nuanced works: firstly Stravinsky’s magnificent wind symphonies, in his words a »ceremony in which different groups meet in short litany-like dialogues«. Our Chief Conductor has chosen these pieces, first performed in 1921, because he loves the sound of our wind section so much – and is thus able to present them in a perfect light. There is also a work from the pen of the Czech modernist composer that Jakub Hrůša has long been fond of and therefore always wants to draw attention to: together with the accomplished pianist Jan Bartoš, we will perform Martinů's imaginative fifth and final piano concerto from 1958 – a charming example of the emotional power of his music.
June 6, 2025
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NOSPR / Boreyko / Tchumburidze / Serenading night and love

Fri, Jun 6, 2025, 19:30
Andrzej Boreyko (Conductor), NOSPR, Weriko Tchumburidze (Violin)
Giya Kancheli’s music arouses controversy in the world of contemporary music. Lyrical, sometimes even sentimental, immersed in the spirituality of Eastern Christianity, it remained a separate phenomenon against the background of the music composed in the countries of the former Soviet Union right before the fall of the empire and afterwards. From a Western-music-oriented perspective, its characteristic nostalgia remains unintelligible for many. The title of Chiaroscuro refers to the renaissance-baroque artistic technique of working with bold contrasts between light and dark. In Kancheli’s violin concerto, the contrasts seem to be outlining visible shapes, only sonic ones, clearly. Whether we remain on the surface of that music or let it harmonise with our emotions remains much more personal of a matter than it is in the case of the Western conventions that are closer to us.Zygmunt Krauze’s Serenade also carries with it a nostalgic charge, yet reined in with greater moderation. While listening to it, we can hear echoes of earlier popular music and an idealised elegance included within the composer’s individual language, which in turn is still ringing with echoes unism, on which Krauze would build his separateness in the early 70s. The reference to the genre of serenade, associated with night and love, is reflected in the composer’s dedication: „A ma femme Isabelle.” The personal tone of the concert will be completed with Bedřich Smetana’s String Quartet No. 1 in E minor in an expressive orchestration by the legendary conductor George Szell, which brings the work’s title, “From My Life”, closer to the surface.Adam SuprynowiczConcert duration (intermission included): approximately 110 minutes